Category Archives: RPGs

Articles about RPG settings and systems. Get out those dice and roll!

Dragonhelm’s Essentials D&D Encounters Report

For the first time tonight, I got to play Encounters. This season, the adventure is none other than the classic Keep on the Borderlands. I had never played it before, so I was excited to do it.

My friend Curtis and I were it for our table, so we were going to play two characters each. Another group was also short, so they combined us. What’s funny is that we had a lot more role-playing when it was just me and Curtis. The others were probably half our age (or close to it) and only out for the combat. One guy was metagaming like crazy, and another guy kept rolling his eyes any time anyone else did something.

We basically had a bit of setup, then proceeded to the encounter. We battled some dragonborn and various other reptilian creatures, all servants of Tiamat. The DM was a lot of fun, and pulled no punches.

For tonight’s game, I played the pre-generated fighter, Quinn. Quinn utilizes the new knight build found in Heroes of the Fallen Lands. I have to say, the pre-gen felt like a knight to me. Of course, I played up the part. One might even say I hammed it up.

At one point, I had a battle with a monster that kept trying to throw a net over me. He got me in a pit, but I climbed out. Another player moved him into the pit. I went all Hollywood, and jumped in after the monster, pressing my advantage. Eventually, I defeated him.

I have to say that I really enjoyed playing the Essentials fighter. It felt more like the basic fighters of prior editions. Yet the cool stance and aura abilities made for some fun possibilities and nice visuals. I miss having the daily power, but the rest made up for it.

While the Essentials fighter was good, I can’t say that I was terribly enthused about Encounters. It’s a neat idea, but the name is self-explanatory. You’re just playing encounters. Our DM commended the role-playing that Curtis and I did and said that they didn’t have that much role-playing the entire time they did the Dark Sun encounters. I just found that sad.

Now, I’m debating on whether to go back or not. Did I have fun? Yeah, it was a good time. But it wasn’t a great time. I haven’t made any decisions yet, but I think I prefer games where we can get into our characters a bit more.

The Mark of a Successful Game

How do you know when your game is successful? How do you know that you have one of those games where the players are really into the story and action? How do you know that your game isn’t just good, but great?

These are hard questions, to be sure, ones that don’t always have clear-cut answers. Sometimes players won’t tell you if they’re not having fun because they don’t want to hurt your feelings. Sometimes you misread your players and think they’re really into your game when they might not be.

I believe the mark of a successful game is when players give back. Perhaps they want to create something for your setting, such as a new technology for your sci-fi game. Or maybe they want to expand their character’s backstory to fit in better with your game, which in turn gives you new NPCs to use in future games. Maybe they want to build a new fortress or space station.

It’s at this point, when players give back, that you know they are invested in your setting, and you have a successful game.

Games of the Imagination

Earlier tonight, I interviewed Tracy Hickman for a future episode of the Dragonlance Canticle podcast. During the conversation, we talked about gaming, and an interesting topic came up. The basic gist is that role-playing games have become very good at being simulations in nature, but have gotten further away from narrative storytelling and creativity.

Is this the case?

There are those that say that story is independent of the rules. We as gamers bring the story to the table. There’s a lot to be said for that. I know that, no matter the game, I bring the same killer storytelling to the game table.

Can rules be a deterrent to storytelling?

Frankly, yes. Want proof? Look no further than 4th edition’s Character Builder. Don’t get me wrong, Character Builder is a wonderful tool. Yet at the same time, I find that Character Builder is not the most conducive to house rules.

Many rules systems have a mechanic like feats that show extra-special abilities characters can do. They’re faster, they have new powers, they’re great with a sword, etc. etc. If the ability is not listed on the character sheet, do we even try it? Probably not. Yet it may be more dramatic to the story of the game if you can at least try things not on the character sheet (within reason, of course!).

For example, let’s say that you’re playing a rogue. Your rogue is running from a local thug who is out for blood, and the alley dead-ends just ahead. There’s nowhere to run. As the thug comes in, the rogue jumps against the wall, bounces off and does a mid-air flip, landing on his feet on the other side. He’s then able to attack the thug.

Now, in this scenario, we could look up a bunch of rules and find that there isn’t a specific rule covering this. Perhaps you, as the player, were also recently frustrated when you discovered there were no rules for fighting on a tightrope.

Rules can not cover every possibility. They can serve as guidelines. We, as gamers, can easily be drawn into the idea that if the Rules As Written (RAW) doesn’t offer an option, then it can’t be done. Yet this is a restriction on creativity and storytelling. The game suffers in the process.

My advice is to find the rules you want to use, and then approach them in broad strokes. Sometimes, a simple skill check or ability check is all you need. Our rogue from up above may have made an Acrobatics or Dexterity check to pull off that amazing flip. The DM sets an appropriate target number. If the player makes it, then you’ve got Hollywood action in your game.

Allow for the player to be creative and loosen up on the rules. It will allow everyone to have more fun and be a creative boon to your world.

Gaming in the ‘Verse: The Unification War

BROWNCOAT (Trampas): “Michaels, you take point. Smith, you’re with me. Okay, let’s go!”

OFFICER (James): Freeze, Browncoats! Lay down your weapons. Nobody moves!

BROWNCOAT (Trampas): Well, now. Looks like we’re gonna have ourselves all sorts of fun.

SFX: Gunfire.

The ‘verse is a vast place, filled with all sorts of adventure. Though most adventures take place flying a rusty old boat from world to world on the Rim looking to find the next job, there are other ways to adventure in the ‘verse as well.

Six years before the Firefly TV series, the ‘verse was at war. It would later be known as the Unification War, as wars are often named by the winners. It was a time of great loss, and great sadness, but it was also a time of heroes and adventure.

The Unification War can serve as an alternate backdrop for your Serenity game. Though it is the same setting, there are some differences as well. The heroes will likely be on one side of the war or the other.

Those fighting on the side of the Browncoats are fighting a losing war. Game Masters should feel free to allow the occasional victory, but keep the feel that of a losing war. From the Browncoat point of view, the Alliance is unjustly trying to take land and tell people how they should live.

Those fighting on the side of the Alliance believe that their cause is just. They seek to improve the quality of the human condition, only to have Independents stop them from helping others.

As Firefly is modeled highly off of the post-Civil War Reconstruction era, it may behoove a Game Master to look into the American Civil War for themes to use in his game. One of the greatest themes from this time is “brother against brother.” The Unification War undoubtedly split up families who were torn between the side of the Browncoats and the side of the Alliance.

Despite the conflict, there will always be those who seek a profit during a time of crisis. Those that do may have adventures more like a typical Serenity game, save that there should be a constant threat of war making it harder for a dishonest man to earn a living. Eventually, the war may force a crew to choose sides.

What can also be cool is if a Game Master uses a Unification War campaign as background for the modern era. This can be done in-game with a time jump, or when a Unification War campaign has ended, a new campaign in the modern era can begin that uses the Unification War as background.

For those that like miniatures battles and wargaming, this is the perfect era for you. Mock space battles and troop movements during the war can be simulated with the right gear. While there are no Serenity miniatures, you might look into miniatures from other sci-fi shows. Mongoose Publishing produces miniatures for Babylon 5, and Wizards of the Coast produces miniatures for Star Wars.

So have fun with your Unification War campaign, and with all your Serenity games. Stay shiny, and sleep with one eye open.

Gaming in the ‘Verse: Send in the Clones

Author’s Note: This is the script for the final, unaired Gaming in the ‘Verse segment. The producer at the time was a noted atheist who took exception to me using the phrase “playing God.” I, in turn, felt the phrase was very important to the script. Unfortunately, this conflict led to me leaving the Signal podcast.

Mal rounded the corner, Zoe and Jayne right behind him. Entering the lab, the trio spotted the scientist they were hired to “retrieve.”

“Ah, so good of you to join us, Mister Reynolds. You’ll have to forgive me, though. I already had guests.”

Mal (not sure which episode): “I’m Malcolm Reynolds.”

Mal (not sure which episode): “I’m Malcolm Reynolds.”

Mal (not sure which episode): “I’m Malcolm Reynolds.”

Mal (not sure which episode): “I’m Malcolm Reynolds.”

(Same phrase repeats, to give the effect of clones.)

Trampas (as Jayne): “I’ve been waiting a long time for this.”

SFX: Gun shots.

The subject of cloning has come up in many science fiction shows throughout the years, perhaps most notably in recent years in Star Wars Episode II: Attack of the Clones. While Firefly is a space western, we should also remember that it is a science fiction show as well. Combining elements of science fiction with western gunplay can lead to great fun.

Cloning is a controversial subject in our own times, and should remain so for purposes of your game. Is it right or wrong? Are we playing God by cloning? What happens when someone is cloned against their will?

Your crew can have great fun with figuring out all these moral dilemmas. Remember to try to present both sides of the situation and let players decide for themselves what their characters’ moral stance is.

So how do send in those clones, anyway? Perhaps your crew was hired to investigate a secret scientific facility the Alliance has on some backwater moon and steal the technology for their employer. While the crew is there, they discover that it is a cloning facility. Perhaps the facility was made for the purposes of creating an army, or perhaps some sort of black ops team. Maybe the scientists are trying to clone an individual in hopes of replicating memory and discovering some lost secrets. Or possibly, they’re trying to create their own River Tams, minus the baggage.

If you really want to throw the players for a loop, have a few clones of one of the player characters join the fray. It’ll be pure chaos, to say the least!

Be careful how you approach this, though. It seem like fun to see the look on players’ faces if you tell them that they’re clones of the real deal. However, players may not react the best to this. In the Spider-Man comic books, there was a storyline where it was revealed that the Peter Parker we knew and loved for years was a clone. It was not received well.

Don’t be too concerned about the technical side of things, though having some technobabble handy might be good. Consider that there are many ways of applying cloning technology. Perhaps DNA is being combined to form the ultimate soldier. Are memories being transferred in the process? If so, can that become a dangerous technology in and of itself?

I highly recommend J.C. Hutchins’ podcast novel series, 7th Son, as good research into the possibilities that a cloning story can offer. There are several scenarios in the series that can be adapted to your Serenity role-playing game.

So send in the clones, watch your players as they’re beside themselves, and sleep with one eye open.

Gaming in the ‘Verse: The Hired Gun

“Cash looked at the man on the ground, throwing him a gun. “Get up, you gorram piece of gos se. Go on, grab the gun! When I kill you, I want you to die looking me in the eye with steel in your hand.”
-Cash Younger, hired gun

The Black can be a dangerous place. No tellin’ who’s aiming to put a slug in your back. One minute, it might be your enemy; next it might be your friend. Best that you have someone to take on the opposition. Yer gonna need a hired gun.

The hired gun is the mercenary of the group, a gun-for-hire who gets paid to do the dirty work. It’s often best not to ask him how he gets the job done, so long as it gets done. The hired gun puts morality aside for coin. Feelings just get in the way of what needs to be done. Coin is what pays the bills and keeps you flying.

Coin can keep a hired gun on your crew, but beware of when someone else has more coin than you. Your ally may quickly turn upon you. In role-playing terms, you typically want a cohesive group. Yet a group that never has spats is a might bit dull. Game masters should consider throwing a chance at a hired gun to turn upon his crew. The hired gun is not obligated to take the job, but the temptation will help develop the character. In Firefly, Jayne quickly gained a newfound respect for Mal when Mal threatened to blow him out of the airlock.

The hired gun is typically a character that has more brawn than brains. He may not have much in the brainpan, but you certainly don’t want to cross his path. This may make the hired gun more dangerous, though other characters may be able to take advantage of him.

This stereotype can often be misleading. A character may pretend to be the idiot gun-for-hire when, in fact, he’s smarter than he looks. Such a character may prove to be a good non-player character for game masters to surprise their players with. Likewise, a player may take this role to get the jump on folk he encounters.

In order to do his job, the hired gun needs to have the right equipment.

FIREFLY QUOTE: From Our Mrs. Reynolds, Jayne telling what type of gun Vera is.

The hired gun is never without a weapon. Typically, he will have a sidearm as well as a rifle or automatic weapon (if not both!). A knife can come in handy as well, giving the hired gun an edge in melee combat. Word of advice: never go on a job without grenades.

Players have several options when playing a hired gun. The first question to ask is why your character became a hired gun to begin with. In Firefly, we learn that Jayne sends money to support his mother, showing that beneath his insensitive exterior, he actually cares for something.

Perhaps your character was bound by law. A character could have been falsely accused. Perhaps not. Either way, your character is on the run from the Alliance. Best to keep that bit of info to yourself, unless your captain finds out. Game masters, use this bit of background to help further the story, whether an Alliance operative is seeking to kill the hired gun, or the hired gun is seeking to clear his name.

Be careful that the hired gun isn’t too serious. Serenity may have dramatic moments, but they are often broken up with bits of humor. The hired gun can have a quirk that helps to offset his dangerous side. In Firefly, Jayne often wore hats made by his mother. Try to think of ways for your character to bring a hint of humor to the game, though not at the expense of your dangerous side.

Consider as well how you want your hired gun to develop. While he may appear amoral at first, the hired gun may develop a sense of morality as the game develops.

SERENITY QUOTE: “Shepherd Book once told me that if you can’t do something smart, do something right.”

The opposite may happen as well. The hired gun could try to live as good of a life as the ‘verse will allow, only to find out that he has little choice in the matter. Over time, he may forget the man he once was.

The pitfall to consider is that the hired gun may take away from a cohesive party. This will largely depend on the makeup of the crew. While you want to see a roguish sort of mercenary, you want to make sure the group works together towards the goal.

Coin may be what the hired gun works for, but with proper development and equipment, the hired gun can prove to be an interesting role-playing experience. Keep flying, and sleep with one eye open.

Gaming in the ‘Verse: The Gearhead

FLAVOR TEXT (female voice [Miranda?], perky)
“Now no need to fret, cap’n. Everything’s shiny. We just blew a stabilizer circuit. I’ve bypassed it through the Jensen board. She’ll run a little hot, but she’ll see you home. Just don’t be pulling any Crazy Ivans!”
-Tawnie Malone, ship mechanic

ANNOUNCER (male voice):
Gearheads live in a world of machines, more at home in an engine room than anywhere else. Gearheads keep the ship flying, even when it has no business doing so. Your ship may not be a technological marvel like an Alliance ship, but you wouldn’t have it any other way. Alliance ships may be fancy, but they don’t have the hum and lifebeat of an engine that you put your heart and soul into. You can feel the vibrations in the deck and know when your ship’s in trouble, even before it shows the signs.

Gearheads come in all shapes and sizes, some of which can be surprising. Kaylee was a young, innocent girl who had a natural knack for mechanics. At a glance, you wouldn’t think she would be a good mechanic. Once she started talking shop, no doubt remained. Perhaps your Gearhead used to work for the Alliance, and is now on the run. Maybe he skims parts off the top, selling them on backwater worlds to make some extra coin. Whatever you choose as your background, it is key to focus on skills relating to mechanics, engineering, computers, and electronics.

A Gearhead is not only good with technical issues, he also excels at jury-rigging. While the rules system you use can define how this is done, game masters should focus on describing the situation with a bit of style. A successful skill check is fine, but telling the player that they bypassed a primary system to get the job done makes it all the better. Players and game masters should work on the “technobabble” to try to add a bit of mechanical flavor, though be careful not to overdo the “level one diagnostics.”

While a Gearhead may be great with the mechanical, he may prove to not be the keenest in social situations. Kaylee was extremely shy around Simon. A Gearhead may be quite crude, having no sense of diplomacy. This can be fun when your crew loses a job due to a crude comment. Be sure to make comments, good or bad, about other peoples’ boats.

FIREFLY QUOTE: Kaylee in the episode where the crew is on the Alliance ship, talking about what a hunk of junk the ship is.

While a gearhead primarily works in the engine room, he needs to be able to work with the group outside of the bounds of the ship as well. Gearheads can gain you entry into ships you might be boarding, opening doors and bypassing security. Gearheads can make their mark by foiling Alliance or Blue Sun computer systems, allowing the heroes to get in and get out. Gearheads can set your crew up with the necessary mules and rovers needed to get jobs planetside done. Game masters, be sure to include elements in your story that will draw the Gearhead out of the engine room, and into the heart of the action.

Game masters should consider the idea of having a gearhead as an opponent, either working alone or as part of another crew. The Alliance may have spotted your vessel and is using one of their top hackers to shut your boat down. Pirates may try to board your boat using a Gearhead to gain access through the airlock. Either way, the first line of defense against an enemy Gearhead is to have one of your own.

QUOTE: Some quote from Star Trek by Scotty on repairing something. Maybe from Relics from TNG. O’Brien from DS9 would also work. This quote can be dropped if necessary.

Players can look to a variety of sources for inspiration for their gearhead. Scotty from Star Trek is a prime example. This Scotsman was known as a miracle worker, pulling off the impossible. Remember, estimates on repair time should always be multiplied by four. When the job gets done faster, your character will be a miracle worker as well.

MacGyver is another great inspiration. While it would be unrealistic to repair your engine with a paperclip, his resourcefulness can make for a good model. Always look for unusual ways to keep your ship flying, and use all resources at your disposal. Make sure to ask your Game Master for detailed descriptions of the locales you visit, then take a variety of items that can come into play later. And always have your duct tape!

Not every gearhead has to be good at what he does. Tim Allen’s character from Home Improvement might serve as a model for a bumbling gearhead who means well, but goes a bit overboard. How will your captain react when he finds out that you’ve re-wired his boat? Can you make improvements, or will they blow up in your face?

Wherever there’s a boat in the ‘verse, there’s going to be a Gearhead to keep her in the air. Keep her flying, and you’ll have a place with your crew. Stay shiny!

SERENITY QUOTE: Mal at the end of Serenity, talking about how love keeps a boat in the air.

Gaming in the ‘Verse: The Red Shirt

“Aye, cap’n, I’ll be happy to lead the charge!”
-John Smith, Red Shirt – exactly 17 seconds before his untimely demise.

A good captain will have a crew with a variety of talents. You’ve got your pilot, your hired gun, your companion, your gearhead, your medic. Yep, you’re all set. But who the hell is that guy over there in the red shirt? Oh yeah, that’s right. Dave. You save him for the special missions.

The Red Shirt is cannon fodder. Mr. Expendable himself, he has no permanent role aboard your crew. You don’t need him; he’s just a flunky. Frankly, you don’t even like the guy. That’s why he’s always the first you volunteer to go on a mission.

Simon Quote (Serenity): Remember, it is okay to leave them to die.

From a gaming perspective, the Red Shirt has average stats all the way around. He’s got an average build, and a less-than-average intellect. His skills are so-so at best. He’s such a wimp that your kid sister could probably beat him up.

Despite these obvious drawbacks, the Red Shirt has one virtue: unwavering loyalty. He is always there to give you a hand, aiding you in whatever scheme you’re involved in this week – whether you want him there or not. He’s like a bad rash that way – you can’t get rid of him. Yet you know that when you need someone to selflessly sacrifice themselves, the Red Shirt will be the first to volunteer.

Game Masters can use Red Shirts to show how deadly a mission is without killing off one of the player characters. Rolling up new characters is so bothersome anyway. If you want to stress how badly the crew is going to hurt later on, just kill off old John. You can use his stats over again next game just by using a different name and a few physical details. It’s not like the crew will notice the difference anyway.

Disclaimer: Game Masters should be forewarned that the Red Shirts are a union (local 472). Over-abuse might lead to a Red Shirt strike or legal action. Remember, a crew without a Red Shirt is all-too-mortal, and that means you very well may have to kill somebody if the union isn’t kept happy. Though player character death offers its own rewards.

Where Game Masters can surprise their players is when a Red Shirt grows beyond his natural limitations to become a character of note in the game. If you want to throw the players for a loop, have your Red Shirt, who everybody trusts, turn upon the crew.

Firefly Quote: “Curse your sudden, but inevitable, betrayal!”

While the Red Shirt may be generic, the method of his death should have style. Shooting a Red Shirt is fine, but you can also look into impalement, electrocution, freezing, choking on a ham sandwich, wild allergic reactions to whatever it was the player characters just ate, or whatever just strikes you as funny at the time.

Whatever you do, don’t name the Red Shirt. Call him Joe, John, Mike, or Dave. Something generic. Once you know him as Jeremy, you’re obliged by Red Shirt union code # 784 subsection A to graduate him to full crew status. When that happens, you’re humped. You have every chance of dying as the next fellow.

The Red Shirt may be a pawn in the great firing range of life, but he can be fun to have along in the game. Keep flying, and sleep with one eye open.

Gaming in the ‘Verse: Playing a Shepherd

Out in the Black, every man has to look to himself to survive. The Alliance surely won’t look after you, and nobody else has your back. It’s just you and the ‘verse, as it was meant to be. God? Some folk talk about God, as if he will whisk you away from the way of things into a never-neverland. Me? I just have my sidearm and my ship, two things that are a might bit more real, and reliable.
-Jeb McMillan, Former Browncoat Chaplain

The shepherd has his work cut out for him. In an unscrupulous world filled with killers, rogues, and thieves, a man of conscience has a hard time finding his place. He has left the relatively safe environment of his abbey and journeyed into the ‘verse to offer religiosity where he can. Playing a moral character in an immoral world can be a challenge, yet can be a rewarding role-playing experience as well.

When playing a shepherd, remember that he’s very much a fish out of water. Your companions are not looking for God. They just want to get paid, and fly another day. Your job is to show them that there’s something more.

SERENITY AUDIO QUOTE: Shepherd Book telling Mal that he doesn’t care what Mal believes in, so long as he believes.

As a shepherd, you are offering a conscience. You’re not a Bible-thumping missionary by any means. While you may talk about God, your role is to provide a guiding light for those who walk in the dark.

So why is your character doing this? It may be that your character has walked the path of darkness himself, and he’s trying to keep others from making the same mistakes. This sort of shepherd is searching for his own redemption, making amends for a past tragedy he would rather not talk about.

The shepherd may also be the victim of some tragedy, and has decided to venture forth into the Black to offer balance to the ‘verse. Perhaps he has lost a relative or friend. Perhaps his abbey got in the way of an Alliance operation, and he’s the only survivor.

However you decide to approach your shepherd’s background, there must be a reason for him to have found faith and a purpose for him to direct faith and belief to others. Some research into real world religions may offer various ways for your shepherd to approach the world around him.

Of course, not every shepherd is a man of God, despite claiming otherwise. Some are false shepherds, taking advantage of their flocks. These false shepherds make for great non-player characters for game masters, providing memorable villains. What happens when the false shepherd hires the crew to do a job, and they find out that it’s at the expense of the folks on a small moon? What happens if the crew already has a shepherd on board?

Some characters might even be former shepherds.

Jeb McMillan didn’t fight during the Unification War, but he did serve as a chaplain to the Browncoats. He moved from unit to unit, offering up religiosity and a powerful faith to those who would listen. Most folks said that it was McMillan who got them through the war, made them believe that winning was possible.

Then came the Battle of Serenity Valley. McMillain prayed like he never prayed before, asking the good Lord for a miracle. It didn’t come. Those who he had preached to went into battle with faith that the good Lord would pull them through. Instead, they met their maker. On the battlefield, the shepherd was the only person left standing as far as he could see.

That day, Jeb lost his faith in God and in all things religious. He learned real quick that the only way to survive in the ‘Verse is to make your own way. The Alliance won’t take care of you, and certainly not God.

Jeb has recently purchased a ship with money he took from his abbey. He figured that God wouldn’t be needing it anymore since He wasn’t doing anything with it. He calls the ship the Fallen Angel and is currently looking for a crew.

Jeb McMillan was once a man of God, but he lost his faith in the Battle of Serenity Valley. Such a character might deny his faith, but has to deal with the fact that it is deeply buried. The rediscovery of faith can be a wonderful direction to guide a character, though be sure to add the right touch of bitterness when you first play the character.

Playing a shepherd in the ‘verse can be extremely challenging. As a fish out of water, you will have to contend with a ‘verse that is very strange and not accepting of God. Yet the experience can be a rewarding one, offering the chance for not only your character to grow, but the rest of the party as well.

Gaming in the ‘Verse: The Medic

“The bad news, captain, is that he’s dead. The good news is that we can fetch a hefty price for his organs on the black market. What? Why is everyone looking at me like that?”
-Sebastian Keller, street doctor

In the Serenity ‘verse, there remains but one constant: you’re gonna get shot. Joss Whedon never pulled a punch, and neither should the game master. Eventually, your crew is going to be shot, maimed, impaled, or have the great fun of contracting a disease. Every good captain knows that you’re gonna need a medic.

The medic serves that all-too-important function of putting the crew back together after they fall apart. Their job is to keep everyone alive, from patching bullet holes to inoculating them from the local crud. Without a medic, people could very well die.

Not every medic is the same, though. Your gentleman doctor is high society, a man all educated and fancified. He dresses sharply and speaks with a fine tongue, traits hard to hide out in the black. His education cost him a fortune, and it shows. He had the choice of any medical position in the core worlds – until something terrible happened to change all that. Skills relating to education and medicine are important here.

SIMON QUOTE: Insert quote here of Simon talking about his education and how smart he is.

For a little old-school fun, try out the “old country doctor.” He went to medical school, but it’s been some time ago. He believes in tried and true cures, not any of this new-fangled non-sense. Technology seems to baffle him as well. Bones from Star Trek is the perfect example of this character.

The combat medic isn’t a full doctor, but he knows enough about medicine to keep your crew flying. Combat medics can be former Browncoats or ex-Alliance. Whatever the origin, combat medics will have military training. They tend to work well in a structured environment with a clear chain of command. Though capable, they are not medical experts. They practice what MASH refers to as “meatball surgery.” They don’t fix y ou up proper, but they get you through. Of course, what happens to the combat medic when he doesn’t have the training to save a life? How does he handle that? Also remember that bedside manner is purely optional. Just because he’s a doctor, that don’t mean he’s likeable.

Not every doctor is so pleasant. In the darker corners of the black lies the street doc, an unscrupulous immoral soul who has a blatant disregard for the Hippocratic Oath. They get a perverted sense of pleasure from working on the human body. They might patch you up, though their techniques are not always sanitary. Never cross a street doc. Doing so may mean that you live after your next job, though you will wish you died. Street docs work in the black market, harvesting body parts for sale and dealing with the illegal selling of prescription medicine.

SIMON QUOTE: From Arial, something about Simon going into the drugs that can be sold on the black market.

Game masters should feel free to make medics into foes for the players. See whether the players will trust a street doc to cure them of a rare disease. Strand an injured player character with an Alliance medic and see if the Hippocratic Oath still holds. Or use a manipulative gentleman doctor to hire the players to do some not-so-nice jobs.

Getting the medic into the heart of the action can be a lot of fun too. How will a medic react when he is given a gun during a firefight? Will he refuse to take another human life, or break his oath to do no harm? How will the medic react when he sees the horrors left behind by the Reavers?

Playing a medic can present a real challenge to players who wish to explore non-violent characters in a violent ‘verse. How your medic deals with this challenge will be the catalyst to your character’s growth. Take two of these, call me in the morning, and sleep with one eye open!